Willy Loman in Death of a Salesman

remnant of a Salesman was compose in 1949 by American playwright Arthur Miller. The play attempts to raise a counter example to Aristotles moving-picture show of tragedy as the crepuscule of a great man. During this succession period there was a great depression which take to many believing in what was kn feature as The American stargaze. Willy Loman is the main, sadal character of end of a Salesman who possesses particular characteristics which submit him a victim of the worldly cabaret in which he lives; his pursuit of the American Dream leads to his alienation and at long last his tragic downfall. Willy Loman also has various tragic flaws which are usually held by the protagonist of the play that eventually brings him to ruin or sorrow, also known as hamartia. thither are many readings as to how far Willy Loman is to blame for his own tragic downfall.\nAmerica providential a whole genesis to believe that hard name and belief in themselves could hand their ambi tions of wealth and personal status. The context of use in which the book was written is clearly emphasized passim as we can reason out Willys subliminal mind is ever so focused on puzzle out and achieving higher than he has; he is never satisfied which virtually may see as a flaw or oppositely a verifying characteristic. Why must everybody quash the world?  This line tell at Willy from his wife, Linda lets the audience subtract his need for more in life when actually he is in a soothing position already: having a house, car and a family. This presents his interpretation of the American dream as being a major(ip) reason for his tragic downfall.\nThe run-in Nobodydast blame this man...are declared by Charley at Willys funeral implying that he was not to blame for his failures. This emphasizes the importance of society to the audience as the American market-centered value system is prudent for what happened to him and should be blamed for his tragic downfall. Bernard ca n get the surpass marks...